Girls varsity basketball team member Linnae Harper poses outside Whitney M. Young Magnet High School in Chicago. Harper, a 5 foot 7 inch senior who plays the point guard position, is set to attend the University of Kentucky in the fall.

When I received my requests to shoot portraits of members of the USA Today All-USA High School Basketball Team, I was given little more than each player’s contact information and a deadline date. With everything up to me (including scheduling the shoots themselves) and no specific look to follow, the creative wheels in my brain started turning on how I could make each portrait unique and polished without necessitating a grip truck in the process.

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Members of the group Mariachi Acero pose during a promotional portrait shoot on Frenchman Mountain in Las Vegas. The group, based in Las Vegas, is comprised of area youths led by instructor Erik Ramirez (third from right).

Just to my left, the view outside the window of the 737-700 aircraft I’m currently flying aboard offers a never-ending view of white, flat-topped clouds. Some 40,000 feet over Denver, the sun is fast on its way to setting, leaving the tallest parts of this cloudy expanse dabbed with crisp, warm light. As with the last time I traveled to Las Vegas, nature is once again reminding me that the visuals out this way are just a little more special.

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Actors at The West Side Theatre Guild rehearse a performance of Driving Miss Daisy in the Gerry Street Theatre in Gary, Ind., Wednesday, March 13, 2013. The lighting design for the show had to transport the audience to several different locations and time periods, utilizing the same set.

It has been suggested that, when it comes to lighting design, my forte is in the concert and musical genres. While I enjoy lighting for music immensely, I get the same satisfaction from lighting straight plays, especially in intimate venues. When I found out that longtime client The West Side Theatre Guild was producing Driving Miss Daisy in their Gerry Street Theatre (a small proscenium space that seats just over 130), I jumped at the opportunity to light it. I enjoy the subtle nuances that are possible (with both lighting as well as acting) when the front row is a mere seven feet away from the stage.

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A fireball rises from an explosion at the scene of a structure fire at 526 W. Chicago Ave. in East Chicago, Ind., Saturday, March 9, 2013. The initial fire call came in at 4:33 pm. The fire eventually spread to a neighboring building to the east.

Just as I was leaving home last Saturday afternoon en route to the Alvin Ailey Dance Theater concert in Chicago (for a rare evening out as a spectator only), I stepped outside to smell the unmistakably heavy odor of a burning building. Anyone who’s ever experienced a structure fire in person knows exactly what I’m referring to. It’s a smell that immediately latches onto your hair, your skin, your clothes, and anything else you might have on you if you’re unfortunate enough to get caught in the smoke plume.

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